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20121201
20121231
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they see igorer w lng around them. liss i knew ts house well, because i used to play across the street from it, anit had beautiful timbe inside and oak fors, and what we got in its place is this motrosity, which certainly esn't fit intoheeighborhood at all. they're pi, ey're fluf, they're g,hey'riendly,here. and it really annoys me that people come in here and don't wa to blend into the neighborhood. narrator: like lissa forshaw, man: jthey either didn't want ous an older house, or they didn't want to fixt up, or money was no object, swith houses cong down and new houses going up, d the w houses unfortunately withhe existg archture. a cole of years o, this was just like a new suburb. there was just simply such an incredible density narratorto geograph, olr uses le this oneonstruction. being replaced by newer ones like these, reflect more than just a local superficial trend. they are the result of global forces from f beyonthis region. here we are now in south shaughnessy in a street where i would guess more than half the houses have been rebuilt within the last five years, and it's a striki
. the "stoniness" - that's the word he used - the stoniness, the blockiness, the sort of rough eloquence of ancient mexican statuary. (narrator) in 1930, moore wrote: "the sculpture that moves me most is full-blooded and self-supporting. its forms are completely realized and work as masses in opposition. it is strong and vital, giving off something of the energy of great mountains." (narrator) with success came increased self-assurance. in the summer of 1929, he married irina radetzky. moore stopped teaching and began to concentrate on his own work, and he sought out the leaders of surrealism. he met pablo picasso in paris. the ideas underpinning works like picasso's figure carrying a stone began to filter into moore's sensibility, emerging as the four-piece composition. alberto giacometti was also an influence. the swiss sculptor was exploring an abstract style - part biology, part geometry - in works like woman. moore responded with a carved, abstracted head. he continued to explore surrealism and its exploration of what lay beyond the boundaries of logic and reason. moore joined the loose associ
Search Results 0 to 1 of about 2